Showing posts with label self-publishing. Show all posts
Showing posts with label self-publishing. Show all posts

Tuesday, June 9, 2015

What You Should Know About Self-Publishing by Shelley Young

If writing is your hobby, right on! You have joined a league of others who use creative writing for pleasure, expressions of emotions and sharing expressions of fear and pain. I’m willing to bet when you share your writing with others you receive positive feedback. I encourage you not to only continue writing, but share what you’ve written. 

I say this because reading is also done because it’s pleasurable and it helps to express emotions, fear, pain and laughter.

If you’re thinking of turning your writing into a business it means you’ve made the conscious decision to reach as many readers as you can with your artistic creativity. Many find this path daunting, but it doesn’t have to be. The reason most people fear becoming a published author is because they fear failure or someone criticizing their efforts. Just remember that you’re not going to please everyone. The key is finding the right target for your genre.  

Below I have created a list of things that I believe may maximize your potential, but I don’t promise or guarantee any results. What I’ve listed are my experiences, as well my point of views.

1.       Do not set your goals too high in the beginning. For example, if you don’t sell thousands of copies of your novel on its release date, this is okay. The average Indie author makes $450 annually from Amazon book sales. Others list Indie success as selling 2 books per day.

2.      Be creative with marketing. Most Indies use the same approach for promoting their work. Try and think outside the box so that your promotion stands out from others.

3.      Be prepared to work hard to market your novels.

4.      You MUST have a website.  You can even create one free on sites like Wix.com. Wix offers preformatted websites that you can add or take away from and when you’re done your site can actually look like you’ve paid someone a couple of grand to build it. I pay for the site I use. I love it, because it’s easy to maintain. I can arrange it just how I want it. Most of all, I love my site’s simplicity. Grand isn’t necessary. If you don’t believe me, check out some well-known author sites. I’ve seen a couple that were very simplistic.

5.      You MUST have business cards. If you want to be noticed, you have to do something to get someone’s attention. Vistaprint and other online markets are available and inexpensive. Why are business cards important? So I’m standing at the check-out at Chipotle and happen to look over my shoulder. Six police officers are standing beside me, ready to pay for their meals. I write crime fiction. I simply reached inside my purse, pulled out a business card and told these gentlemen, “I need to interview you for a new novel I’m writing.”  I have a policeman, a sheriff and two ex-detectives who answer any questions I have. It’s not easy getting a cop to do this. Trust me. I’m sure these fellas checked me out first and having a professional business card helped.

6.      You MUST join social media sites: Facebook, Twitter, Instagram, Pinterest, LinkedIn, Google+ (just to name the most common ones). The first time someone told me this, I rolled my eyes clear to the back of my head. Who has time for social media when you have books to write? You might not sell a lot of books on these sites, but know that they are important. Social media is topping the charts as the reason people buy cell phones, iPads, tablets, etc. Building a platform takes time. Some authors say they don’t sell books via social media. It depends on your genre and how many people you’re reaching with your tweets and posts. The idea of even having a Pinterest account wasn’t appealing for me, because of my time constraints. But I forced myself. I had the account for perhaps a year before I actually did something with it. So one day I jumped on it and ended up pinning hundreds of pins. Well, some of the pins were of Albania and how beautiful it is. Low. And. Behold. I got more repins on these from a handful of Albanians who are on Pinterest. They saw these pins and was perhaps wondering why a Black woman was pinning about Albania! And there, they see it. My book is pinned and my MC has the Albanian flag tattooed on his chest. I got a sale. Who would have thunk it? The person liked the book so much, she bought ALL my books, contacted me on Twitter AND went on my website to purchase an autographed copy so she could send to a relative in ALBANIA. You gotta love when things like this happen.

7.      Don’t forsake Twitter. This one is a little more personal than the others, as you have perhaps noticed I didn’t include ‘must.’ There’s a madness to Twitter that actually works. I will share that madness at a later time. But for now, just know retweeting is a big issue.

8.     You need more than one book to reach the masses. Regardless if your one book is well-written and is perhaps the next bestseller, think of it this way. If one was okay, McDonalds would have only one type of burger, Taco Bell would offer only one type of taco, Pizza Hut would offer cheese on pizza dough. Because of the variety these places offer, a family of four can go to one of these places, order different things, and leave satisfied. One of your readers doesn’t like your heroine? It’s okay. I have a sexy hunk in another novel that will knock her socks off.

9.      You MUST have your work edited. Guys, I have no problems with beta readers, but let me share with you how many times I’ve read novels published after beta readers have approved them. Far too many and some of the errors I found actually made my already large eyes bug out even more. Nope, nope, nope. Get an editor. Two of my full-length novels have gone through editing THREE times. Sometimes it’s not your editor’s fault when errors are still found. Sometimes those errors are caused by you fixing an area they brought to your attention only for you to create another error in the process. It takes time, but it’s necessary. If you don’t believe me, jump on Amazon and pull up ten Indie author novel reviews and I promise you that at least nine or all of them will have poor editing listed in the review.

10.    Waiting for readers to discover you isn’t going to happen. You must have a marketing strategy. Some may work. Some may not, but let me throw this at you. My biggest sale days are usually Friday – Monday, with the exception of Saturday. People are not home on Saturday when the weather is nice, which means they’re not online to purchase your novel. I did a promotion on Black Friday and lost my ass! Why? Everyone was out shopping. I will never do that again. I did a promotion for Valentines and used my novel that had the most red in its cover. The novel jumped all over Amazon’s bestseller’s list in three countries from that promotion. I have more promotion tips that I will offer later.

11.    You WILL receive a one star review on Amazon. Don’t take it personal. “Gone Girl” has more than two thousand one star reviews. That didn’t stop it from being made into a movie. Listen to what the reader is saying and if it doesn’t apply, don’t take it personal. Someone gave me one star for The Blood Feud. His words were something like, ‘reads like a 25 cent cheap porn comic.’ Low. And. Behold. A reader who obviously thought that 25 cent cheap porn comics were interesting bought my book then sent me an email and said he bought it because of the review. Yes, he enjoyed it. I wrote him back and said, ‘If you liked that one, try Plain Dealing.’ He sent a tweet showing that he purchased that book as well.

12.     Sometimes people have no plans of buying your book, but you can talk them into it. Engage with readers. Converse. I jump all over the Goodreads postings, offering my opinion on the books I’ve read. Never say, ‘Buy my book.’ Just talk. Let them know you’re an author. Blend in. Let them see how creative you are in your speaking. Be professional. Never slam others. You can actually pitch your book without people realizing it. The trick is not to make it obvious. The intention is to pique their interest so that they ask about your work. Will you get a sale every time? No, but it happens a few times and I got great feedback from the readers.

13.    Don’t focus on authors to buy your books. If your FB and Twitter accounts have only authors as followers, you are preaching to the choir. They want you to buy THIER book and not the other way around. It takes time to build a following of readers. Encourage fans to join you on FB, Twitter and other sites. Word of mouth is the best publicity.

14.    If your book isn’t visible, no one knows to buy it. Add your books to as many online eBook sites as possible. When you’re having a promotion, ask the site to list you on their first page. Sometimes there’s a small fee involved. Sometimes not. Ask the site to share with you how much traffic they receive. If it’s a good number, pay the fee and pray for the best. This has worked well for me.

15.     Attend book festivals and book signings, but don’t attend either until you are well prepared. I can go on and on about how to prepare, but James Moushon has already posted some great advice on this subject. And trust me. James knows what he’s talking about. http://bit.ly/1BNLyyV

16.    If you decide to do a free giveaway know in advance how to maximize it for the best results. Doing free giveaways and promotions are great tools to use if you want more readers to discover you. I recommend that you hold off doing a free give away or low price promotion until you have as many books available as you possibly can. I ran my first promotion after I had three books published. The promotion was for three days. I sold more than one thousand books on the last day of that promotion alone. I wouldn’t have reached this number if I only had one novel. I also recommend that you spend (approximately $100.00) on online promotional services who list your books on multiple websites. This means on the days of your promotion, the cover of your book is listed on the front page of online eBook sites. They are clearly visible. No searching the catalog is involved. A great cover and catchy title will most definitely get you more clicks.

17.    Your cover is just as important as your novel’s content. You can purchase book cover designs for as little as $5 on Fiverrr. I used Fiverrr for my eBook cover for Dali’s Fantasy. It’s a flash fiction piece that I sell for $.99, so I didn’t want to spend a great deal of money on the cover. A good cover will cost you anywhere from $50.00 - $500. Hannah Gleghorn Design does all of my covers. I discovered her work while browsing for books and loved the cover of the one I was thinking of purchasing. I think she has fantastic pricing, especially compared to other designers I have come across. Her website is http://hannahgleghorn.com/. Be sure to read my next helpful tip.

18.    Test the waters before you try it. Before contracting with someone to edit your book or design your cover, ask them for samples. With all of my editors, I send them as many pages as they allow. They return them with their changes. Usually you can sense how well an editor is this way, and you’ll be surprised how much editing your work needs before it can be published. Not with Hannah, but with other book designers, I also had them send me a sample of how they saw my cover. Don’t settle. This is your work – your baby. If you’re not satisfied, express the changes you want made and I’m sure your designer will do all they can to assist you.

19.   Choose your editor wisely. I completed the second installment of my series and my editor was already busy working on a different novel of mine. To kill two birds with one stone, I shopped online for a second editor. I sent out my sample and LOVED the work that was returned to me, so I thought, ‘go for it!’ Low. And. Behold. Three weeks was the deadline. Every time I jumped on Facebook, there was my secondary editor posting thousands of posts. I couldn’t believe the amount of time she was spending online when she had a deadline to meet in three weeks. Still, I gave her the benefit of the doubt. Two weeks in, I emailed her and discovered she hadn’t even STARTED editing. I cancelled the contract and contacted my primary editor and explained my situation. I had already paid for promotions and had a release date. Jerry Shaw worked his magic and edited two of my novels back to back, allowing me to meet my deadline. You don’t have to use any of the people I mention, but for those who want to check Jerry out his email is geraldwilliamshaw@gmail.com. I find his pricing extraordinarily reasonable.

20.   If you’re thinking of using a vanity press to publish your work, please, for all that’s Holy, check them out. A vanity press, vanity publisher or subsidy publisher is a term to describe a publishing house in which authors pay to have their books published. It’s what Indie authors are all about, right? I know authors who see their books selling and have yet to receive a single royalty check. All of them had signed contracts with the same vanity press. Do your research. When I’m researching a company online, I key in their name and add ‘bad reviews’ at the end. This has saved me from making what could have been some bad decisions.

Shelley Young




Author Genre: Thriller, Suspense, Mystery, Historical, Mainstream, Erotica

Website: Shelley Young - Amazon International Bestselling Author
Twitter: @dardiandreshaj
Goodreads: Check Out Goodreads
Google+: Check Out Google+
Facebook: Check Out Facebook
Amazon Author Profile


Author Description: 
Shelley Young is an Amazon International Bestseller in crime, romance and suspense. Compared often as a mash-up of two of the best thriller and erotica authors, her thriller, suspense and mystery novels have been downloaded from Canada to Australia in eBook form. A book club favorite, each of her novels were nominated as best Indie book of 2014 in its genre. The author of the Dardian Dreshaj novels, who fans have dubbed its leading character as 'a man all men dream of being and all women want to love,' she's also a writer of mystery, as well as historical. Look for her historical series scheduled to be released in 2016 and two more crime thrillers scheduled for release in the first part of 2015. 

Dardian Dreshaj has lived twelve years solely during the night. A handsome, Albanian immigrant who loves as passionately as he kills, he IS the highest paid contract killer in America. 

Bad doctor, good nurse is a lethal combination. For Dr. Andreus Solomon Tell, who has a temperament as dark as his well-kept secret, it's no wonder women are falling head-over-heels dead in the small town of Plain Dealing where he lives. Is he a murderer? Can he be tamed? Is his persuasive mannerism potent enough to fool everyone around him? 

If you enjoy novels of crime, investigations and a touch of heat levels four and five erotica, novels with characters you can't help falling for and cheering for them every step of the way, you'll love the writings of this author. She currently resides in So California with her family.

Shelley's Book List

Shelley Young is the author of the Dardian Dreshaj novels and a publishing industry blogger. This post was re-posted with permission from Shelley Young by the eBook Author Corner, a book industry blog.

Follow James Moushon at:

Or EMAIL at: james.moushon@gmail.com

Or visit my blog: The eBook Author Corner
Take a look at my Author’s blog: HBS Author’s Spotlight

Check out the Jonathon Stone Mystery Novels:



Thursday, September 27, 2012

eBook Marketing: How Do You Target Your Reading Audience?

One of the first questions a new indie author must ask is what audience will buy my book? The second question is how will I market to this audience? Both questions should be asked way before you get to the publishing stage of your book.

In the old days, there was a very standard set of rules and procedures. If you were fortunate enough to get picked up by a publisher, you got the finished product to the editors and off your book went into the market place.

On the other side, if you had to do the publishing yourself that added a lot of extra action points to get your book to the reader and getting your book into bookstores was a major component in determining whether your book was a success or not.

Well the whole process has turned upside down. Now the marketing targets are all different and the bookstore is no longer the primary focus in marketing your book. It is a turkey shoot, as they say.

Marketing using social media and the Internet are becoming the top choices for marketing for self-publishing authors.

The author must determine their audience, what they read and where to find them all online.

Knowing your audience will be the key in how you approach the marketing of your book.

Multiple Reader Audiences
The first thing you must realize is that there are multiple audiences to address and each will require a different approach. I view audiences in three distinct groups, all separated by experience with online media.

1. Mature (55+)
Most of this group is new to electronics. Ebook readers and tablets are all new to them. They are accustomed to paper reading. Some have adapted but still fall back to paper. They look for the Deal of the Day or a low priced ebook. Their first selection maybe by genre or an author they like. They have no real online community involvement. Reaching them will take a more direct approach.

2. Working/Family Group (30-55)
These are readers that are established adults. They grew up reading traditional books but they are more computer-savvy than the mature group. They have adapted to ebooks because of the time and convenience factor. An online approach could work with this group but they will seek advice from more than online sources.

3. Mobile, on the Move Youth
They make quicker decisions. They can’t go anywhere and do anything without their cell phone or their iPad or some electronic device at the ready. They would rely almost entirely on online communications to make their buying decision.

They won’t read a book on their iPad but they may use the ebook for an information source. You see this in the resistance to accept e-textbooks. About 60% of this group does all their communication via cell phones exclusively.

In contrast, only 25% of the mature group use cell phones exclusively (No landline phone). (34% overall)

It’s like being in the right place at the right time to be successful. In this case, you need to be in the right genre and target the right audience.

Shooting at the wrong target
Let me share with you the experience I had with my first novel, Call Off the Dogs. This is a story about the JFK Assassination and now Jonathon Stone, my pragmatist, found another shooter from that day in Dallas and the adventure begins.

I was so anxious to get the book out the door, I didn’t do my homework.

Where did the book fit in? Was it a mystery, a detective story, a historical novel or what?

My primary audience was the mature group mentioned above. They lived through that period and all the conflicts and conspiracy theories. I choose to take a ebook only approach and targeted my audience online.

I made all the wrong moves to sell my ebook to my target audience. It probably didn’t help that Stephen King released his book, ‘11/22/63’ in the same week so all my pre-publishing marketing was written over.

Shooting at the right target
Let’s discuss some authors that know how to target their audience. First there is M.R. Mathias, a fantasy writer, who has been quite successful with his online approach to his target audience. He focuses his marketing at the younger audience through Twitter and Facebook. At last count, his twitter followers were in excess of 87,000.

His main asset is he writes quality books. Lots of them. Next he feeds them to his followers like Halloween candy and they buy it. Sounds like a plan to me.

Another example is Amanda Hocking and a group of young writers who are writing to the young adult genre and targeting them through social media. Amanda has over 17,000 followers on Twitter and her Facebook audience is huge. Just send them a tweet and she is off and running. It is like having a barrel full of 140 word bullets.

Let’s take a test to see if you’re following me
Let’s say you write a book about an old biker who wants to take one last trip across the country. The book would highlight his conflicts between the way he approached the trip when he was young and full of adventure. And then compare that to the current old man who has declined in health and aggressiveness going down memory lane.

So do you have a family saga going here? Or is my biggest target group all the bikers across the country? How do I target them? Oh yeah. Do you start tweeting the world about your biker book or do you try a more conventional approach and get involved in the biker community? I believe you are looking at the mature group not the mobile one.

My first move would be to get involved with the Harley-Davidson audience. We are talking over a million people in this group. I’d try to get into their stores, sell at their events across the country, get a book display in their museum and get an endorsement from their owner's group.

I’d let my beard grow, get me some nice looking leathers, buy a good looking Harley and hit the road.

Social networking and publishing an eBook exclusively would be my last choice in selling to this audience.

Are you off target?
Where is your audience and how do you get to them? Tweet to tweet or do you hit the pavement and do it the old fashion way?

You must answer right up front, who is going to buy your type of book and define the genre? And then concentrate on marketing to them where ever they are.

Some good sources
Jason Boog
If want to keep up with who the top indie authors are and what they are writing about a good source is Mediabistro – Galleycat by Jason Boog. @jasonboog
Amazon Self-Published Bestsellers for the Week of Monday, September 17, 2012 by Jason Boog

Judith Briles
The Book Shepherd blog is another good source written by Dr. Judith Briles
"Publishing is riddled with obstacles. Sometimes nightmares for the author. You don’t need problems … you want solutions." She will shepherd you through the maze and chaos.
She also manages AuthorU.org which is for authors who want to be seriously successful.
Dr. Briles can be found on Twitter: @mybookshepherd

M.R. Mathias
M.R. Mathias Fantasy Author is in the HBS Author’s Spotlight this month.
He can be found on Twitter: @ dahgmahn or at his website: http://www.mrmathias.com
Also Mr. Mathias has written a must read book for indie authors about social networking and marketing books. The First Ten Steps - Ten proven steps to build a solid foundation for your ebook using free social networking.

Follow Me on Twitter: @jimhbs
Or EMAIL at: mailto:jim@jamesmoushon.com
View my website: James Moushon – Mystery Writer
Take a look at my NEW blog: HBS Author’s Spotlight
Check out the Jonathon Stone Mystery Novel: Call Off The Dogs

Wednesday, August 22, 2012

Indie Authors: Your Copyright Page Needs Work


One of the first things an indie author should realize is that the printed version of their book does not have the same content as the ebook version and the differences start right in the front of the book.

 

It starts with the Copyright Page.


The first area that jumps out is the copyright page should be different. In fact, the copyright page should be different between the various ebook versions, i.e. Amazon vs. Barnes and Noble vs. Smashwords, etc.

After reviewing a couple dozen recent ebooks from indie authors, the first item that should be added to the copyright page is the paper source of the ebook. Not having that information now doesn’t seem to be a major problem. But ask me that question in three years when I still have that same ebook on my e-reader and the hardcover book has a new edition. This could be a major problem with non-fiction ebooks. Not so much with fiction.

Amazon has seen the need to add the source information in their on-line product description to help. They have added a line: Page Number Source ISBN. But the ebooks that I reviewed didn’t have a clue to the original source document.
Here is where the train leaves the tracks. With the missing source information, there was no indication where the book’s content originated from or how we got to the digital format.

Certain information is required.


Somebody must have missed the memo about what information is required and what format the information should be presented in because we had a wide variety of formats and information, to say the least. Almost none of them matched.

The copyright page should have the basics. They should have the copyright notice, the Publisher and publishing information, a disclaimer, the edition data, the Library of Congress information and the ISBN.

Although it is not required, some gave credit to the basic book formatting and design people. Things like cover photograph, cover image/art, interior design and edited by information.

The ebooks did have some direct information about the ebook. One had ‘First Kindle Edition’. Another said ‘Epub edition © with a date and eISBN 978- number’.

I don’t know if ‘eISBN’ is official but its meaning is obvious. One ebook even had ‘Mobipocket reader format’ mentioned.

Only one of the ebooks had any information at all about the source. (“Simon & Schuster hardcover edition June 2010”) Maybe it should have included the ISBN of the paper version.

Adding more information to the ebook copyright page goes along with the same concept we use for an accurate bibliography, footnotes and appendix.

Here is My Wish List.


We are missing the boat with the copyright page. It’s like seeing Original Source: Undisclosed on the copyright page. That just doesn’t work. The ebook is a different product than the paper version. We need to provide more information.

 1.      We need the ISBN number and the hardcover edition on the copyright page like Amazon is providing on their ebook Product Production page. Of course, they are including this to help sync the page numbers with the hard copy but it should have been required in an ebook by publishers before Amazon added the feature.

2.      We need different copyright pages for each version of an ebook. We need a unique copyright page for the Kindle, Nook and Kobo, etc. Smashwords has its own copyright page format which is the same with each version (epub, mobi, txt, etc.) they sell. I don’t know whether that is good enough in the long run.

3.      I would like to see a reference on the copyright page about the ebook conversion process used. Is this an ebook only version? Is the source document from the original book’s source file or was it a scanned /OCR version to a digital file. This will give the reader some idea of the accuracy of the conversion.

4.      If you have web addresses and contact information on this page, the links should be live links. Make it easy for readers to form a relationship with you by taking advantage of the opportunity to get the information to them. Never pass up a chance to keep in touch with your reader base. Remember unlike the traditional book that is cast in stone, the eBook can be edited easily and republished if the upfront information changes.

Here are two examples that I found.


Kindle Version

Original Source: How to Create Copyright Pages Right – by Jim Satire
Hardcover Edition March 2011 (ISBN: 978-9-9999-9999-8)
Kindle Edition – 1.5.1 – Build 11/7/2011
Original Process: Direct from Digital Source File
Created by: Amazon DTP
Conversion Services by: HBSystems Publications
Rendered by: James Moushon

Nook Version
Original Source: How to Create Copyright Pages Right – by Jim Satire
Hardcover Edition March 2011 (ISBN: 978-9-9999-9999-9)
Nook Edition – 1.6.1 – Build 11/23/2011
Original Process: Direct from Digital Source File
Created by: BN Pubit
Conversion Services by: HBSystems Publications
Rendered by: James Moushon

Traditional publishers and self-publishers are responsible for this additional information. Sometimes publishers get caught up in trying to get the ebook out the door at the lowest cost rather than doing their own due-diligence. The Indie author does not have that luxury. You must stay out in front of this information and marketing opportunity.

Your ebook can’t be just a copy of the hardcover. It all starts with the copyright page and the definition of the sources of the ebook. Right now it appears that this is missing information in most ebooks.
 
A Great Source of Information on this is from Joel Friedlander
Joel is an expert in this area. He blogged ‘Self-Publishing Basics: The Copyright Page’.
Use it as a starting point.
Are you including this information in your ebook? Does the Indie publisher have the responsibility to provide this information to the reader?
Or EMAIL at: jim@jamesmoushon.com
Check out my Jonathon Stone Mystery Novel: Call Off The Dogs
 

My next blog will discuss your ebook and the Contact Information Page that should be added.

Tuesday, February 28, 2012

eBook Industry: Does Amazon Have a Winning Hand or a Dead Man’s Hand?


Does Amazon have a winning hand or do they need to draw more cards to stay ahead in the game? Amazon is the dominate player in the ebook industry, hands down. In fact, they are so strong that they can sell some products at a loss and still win the hand.

They can do this because ebooks have a very high profit margin. Check this hand out. I can buy an ebook from Amazon and it’s never touched by human hands. No shipping. No warehousing unless you want to count their file servers. The first physical action is when I pay with my credit card and that can be automated if I chose. So the overhead is very low.

Amazon has attacked the ebook industry with a very aggressive marketing strategy. They have chased away bookstore chains and changed publisher’s ways of doing business. In a few words, they have played their hand perfectly by bluffing the other players into thinking that they can’t be beat.

But as most gamblers know the hand is not over until the last card is dealt. Can someone out draw Amazon by coming up with a better strategy or change the game itself?

The Strengths of Amazon’s Hand

So what is the strength of their hand?
Organization: They have setup an organization and internal software system to effectively manage an online business. A customer can buy an ebook online with immediate download and access the ebook, all at a reasonable price.

They approached the industry with deep pockets by leveraging their ebook products with their large pbook distributing system and a wealth of other products all sold online.

Marketing: They have successfully marketed the Kindle eReader and Kindle Fire as a lower than cost device. Readers have rushed to get the affordable devices not realizing they were committing to a controlled, lasting relationship.

Devices: The eReaders are tied to the Amazon format which allows Amazon to control the user and create a captive audience for their ebooks.

Software: Amazon created a software system to sell ebooks electronically and gather information for marketing at the same time.

Sales Tax: I feel the number one advantage Amazon used to defeat bookstores was the lack of sales tax on their products. This translated into a discount in price for all customer purchases. Customers were going to bookstores and reviewing the book. Then they would access the Internet and purchase the pbook or ebook online avoiding the sales tax.

They are starting to lose this winning hand as States across the country are attacking the free lunch tax advantage Amazon has over physical bookstores.

Self-Publishing: They developed an easy to use self-publishing system for would-be authors with a good royalty package. Now established authors are catching on to the added revenue they can earn and are moving their ebooks to the Amazon game.

Amazon Select: They have developed a program called Amazon Select. This program connects publishers who publish exclusively on Kindle to enter the ebook Lending Library. They will then share in Amazon funding, based on the borrowing of their title. Again EXCLUSIVELY is the key word.

Amazon Exclusives: Their Exclusives program is aimed at securing a captive author’s team. Successful authors can opt-in to sell their titles only at the Amazon publishing venture and avoid Apple and other competitors selling them. It is rumored that Amazon’s new retail store venture will handle only Amazon Exclusive titles.

The Weaknesses of Amazon’s Hand

We can see Amazon’s cards. They have a strong hand but the deal isn’t over. Other players will start to play at the ebook table. Here is the ‘tell’ as they say in the gambling world.

Control: Amazon doesn’t control or own the content. They are the distributor of the products but they don’t create it. The publishers and the authors control the ebooks and they can do anything they want to with it. The Amazon Exclusives program is another move to gain control of the marketplace. There is a good chance that the next big superstar author could start in the ebook self-publishing ranks and they are betting on it.

Single Device: One of the weaknesses is Amazon is betting on their own eReader to capture the market. The Kindle and the Fire are not the best or the fastest eReaders on the market. They have tried to buy the market on price and have done so up to this time. But what stands in their way is they will need to move from their proprietary ebook format to more accessible ebook strategy.

Internet Only: Amazon has no physical presence. They have recognized this and have started to setup a bookstore model in Seattle with only the books they publish and their Kindle devices available; again a closed product offering.

Publishers: Their continuing struggle with publishers is another major problem. For example, the problems have put a major hurdle in front of Amazon’s Lending program.

Prime: Amazon has initiated the Prime program with free shipping, movie streaming and ebook lending but there is no apparent ebook advantage or discount to the program unless you count the ebook exposure through lending.

Search Engine: They have developed a product search engine for ebooks that is becoming unwieldy. Amazon will need to limit their ebook selections at some point. My first novel was about President John F. Kennedy’s Assassination. A search for ebooks about JFK found 238 entries and 74 for the assassination. Would anyone look past entry number 50 on the lists? I doubt it.

Reviews: Self-entered reviews have little or no monitoring. Buyers don’t really know if they are true reviews or a friend of the family. Amazon will need a gatekeeper on ebook entries at some point in time to keep up the quality of their product offering.

Can Another Player Draw a Competitive Hand or Change the way the game is played?

If I could pick my hand from the rest of the deck, what cards would I select? Remember this is not like real poker. I wouldn’t have to leave it up to chance.

Multiple eReaders: First, I would sell multiple eReaders and tablets with multiple formats like Best Buy’s selection. I would pick the best devices for the price including Kindle, Nook (while still available) and the iPad because of the popularity.

Physical Stores: Next I would create stores in high density locations with a showroom of products using a physical, hands on approach. The Apple store model appears to be a winning model for this type of marketing.

On-line Marketplace: I would back this up with an on-line marketplace being fed information from surveys and professional reviews. Software is the key to the winning hand here. Software development is not an exclusive talent.

Franchise: I would franchise locations establishing a brand of quality and knowledge. The franchise would sell ebooks, accessories, author’s presentation, some pbooks and apps on site with a Club membership. The members would receive discounts and rewards for purchases.

Meeting and Classrooms: Each store would have in-store classrooms for special events, meetings, readings and guest presentations. The ebooks selection would be organized by genres. Possible one group would discuss Romance novels while another group would meet and discuss Science Fiction. The store would have demos of products on a continuing bases.

Personal Support: In-store product support would be one of the keys to the venture. The goal would be to provide unique hands on service. The staff would be knowledgeable, first in technology, and then the book sales environment.

Workshops: Author’s workshops would be provided for a fee to assist new authors in entering the ebook arena. The workshops would emphasis ebook concepts, formatting, cover design, where and how to sell and where to get professional help. Consulting workshops with experts in the ebook development process would be regularly scheduled.

Vertical Marketing: The new venture would use a vertical marketing approach to the type of ebooks sold. Each location would get access to local authors and seek out local ebooks for its customers. A key here is creating a human interaction using customer recommendations and selection advice. It would be like developing reading centers for groups of readers to share information. This would be backed up by blogging and social networking.

BN lost their chance. They drew to an inside straight so to speak. How BN has announced Sterling Publishing is for sale and are hunting for a buyer for their Nook product line. Their member’s program has failed in the ebook marketplace.

Know When to Hold Them and When to Draw New Cards

In the ebook industry, anyone can repeat what Amazon has done. There are no trade secrets here just aggressive marketing strategies and now deep pockets.

Like Wild Bill Hickok thought that fateful day in 1876 in Saloon No. 10; just when you think you have the winning hand, someone can come along and outdraw you. He had the Dead Man’s hand and he didn’t realize it until it was too late.

Amazon has the winning hand right now but the level of entry in this game has a relative low ante.  Can someone come up with a better solution or can they change the game by improving the products and services? Are there other things you would add this game to create a winning hand?

View my website: HBSystems Publications
Specializing in the ebook experience
Or EMAIL at: jrm@hbspub.com
Or go to my blog: The eBook Author’s Corner
LinkedIn Profile: James Moushon
Author: Call Off The Dogs, a rendered eBook

Thursday, December 1, 2011

Self-Publishers and eBook Authors Need a CHAMPION to Assist Them in Gaining Access to the Library Lending Process


Amazon’s entry into public libraries and their own lending process through the Prime program has just quadrupled the activity in ebook lending. With this rapid growth of the ebook lending process comes some inherent problems as everyone rushes to get a piece of the action.

At the top of the ladder are the traditional publishers, Amazon and Overdrive. They are the people that have the most control. Their motive is profit. At the bottom rung are the libraries and the authors.

I have discussed this issue with several authors recently and the sentiment is the same. “How do I make a living if they’re going to give my ebook away?”

One author relayed this to me. “I spent 16 months of my life, writing and researching a 600 page technical book/ebook and the sales have been mediocre at best. The hardcover sells for $35.00 USD with the ebook at $19.95 USD.”

“Now my publisher is going to let over 11,000 libraries have access to the ebook version and I haven’t heard anything about me sharing in the income. There is no one to turn to. You know? No competition.”

There are Some Problems with the Current Lending Model?


The current model


The current model is a profit-orientated process designed to funnel readers to the retailer’s buy pages by creating an availability problem. Avid readers want something to read and the convenience of an online device that can access a library’s collection, means they can be reading an ebook in moments. Sounds good!

Retailers and publishers know that ‘lending leads to sales’. The one copy, one user rule insures them the sale of the ebooks to the libraries. Then the publishers jack up the price above even the current online price and start to bring in the money from the libraries. Oh, I forgot to mention, the profit margin on an ebook is in the 90 percent range.

Several publishers have opted out of the lending because they have not bought into the ‘lending leads to sales’ theory. One thing for sure is they control the selection of what is available.

They already have a delay built into the model so the new releases are not available until they have passed an established sales period. This is similar to the movie industry. They do the same thing with new releases by monitoring sales until it passes an acceptable level and then they release the movie to video and online viewing.

And the kicker is that accessing ebooks is not an easy process, as advertised. Just try maneuvering through the catalog and all the separate Internet pages to borrow an ebook.

Amazon


Amazon has a very sound strategy here. They already have the ebook content on their servers. First they throw the readers a bone by allowing some ebooks to be purchased by libraries for lending. Then they flood the device market with Kindles at below market pricing. Some reports say below the cost of production. Of course, the Kindles are using Amazon’s own proprietary format.

Next they add the Amazon Prime lending program which allows a member to borrow one ebook per month for about $6.50 a month. The Prime program does have several other features like free shipping and the ability to stream movies and videos at a price. This could be a trial balloon for something more dramatic like a Cloud-based service renting ebooks and circumventing Overdrive and libraries all together. All links lead to their buy pages and at the same time they are capturing the patron’s information and reading habits.

You know there is too much power here when Amazon includes a publisher’s ebooks without their permission. Of course, the publishers can withdraw their ebooks from the Amazon sales site but I don’t think that is going to happen often.

Amazon biggest benefit is the increased pressure on Barnes and Noble. This competition definitely will affect the Nook ebook availability and their exposure to the Library audience.

Libraries


With Libraries, the squeeze is on. Saddled with limited budgets and a growing demand for ebooks spurred on by the entry of Kindle users into the mix, the availability of new titles is few and far between. And the Nook users are now battling for access to ebooks that before were totally in their domain. The multiple formats, one access per ebook model insures that.

Add to this a movement by publishers to affix an artificial limit to the ebook life cycle. HarperCollins has already put in place a checkout limit of 26 before a library has to rebuy access to a title.

Libraries, who fought for ebook lending, how realize that the opportunity comes at a price. Not only is the demand crushing the system, but the motive behind the change was to sell more ebooks and devices to frustrated readers.

And the price the readers had to pay was the loss of privacy of their information. Now the retailers are capturing all the reading habits of the library patrons with no recourse. To read more about the privacy issue go to Librarian by Day by Bobbi Newman and Librarian in Black Sarah Houghton.

Another problem is the decision making process. In the library setting, a reader browses the online card catalog looking at very limited information. Next the reader goes to the shelves, finds the book and scans it. Then they borrow it or not.

Unfortunately, with ebooks the catalog descriptions are card-based. Some do provide a sample of the works but that is a very limited number of titles at this time.

And the kicker is libraries, at this point, have no alternative. Avid readers and the authors deserve better.

How do eBook authors and Self-publishers make a Living using this Lending model?


The quick answer is THEY DON’T particularly if they’re just starting out in the business. Traditional authors, who are established in the marketplace and their ebooks are a byproduct of the hardcover publishing process, will do JUST OK with this, if it does indeed lead to more sales.

The newbie author who has to do their own marketing, fight for reviews and work hard at social networking to get word-of-mouth recommendations, are fighting an uphill battle. They need exposure and the lending process seems like the perfect opportunity.

You know when ebook self-publishing stars like Amanda Hocking, David Baldacci and John Locke have a hard time getting by the gatekeepers into the library ebook catalog, something is wrong with the system.

Send in the Champion


So from the self-publishing, ebook author’s and the libraries’ point of view, what is the best alternative to the current model? We need a champion. We need a leader to design and implement a system outside of the current model. One who would compete with the traditional publishers and Amazon. A Gutenberg-type system, filed with current ebook authors and titles. You know a system where libraries can access titles for free or at a reasonable fee.

So what would the ideal system look like?

I have nicknamed this system:

CSPILL or The Champion for Self-Publishers and Independents Library Lending program.

Here is a summary of the attributes of this hypothetical system.

1.      A catalog of ebooks would be established and available to all libraries for lending.

2.      All ebook authors would be eligible to submit their ebooks for inclusion into the CSPILL catalog. (Probably some restriction on sexual connect and such should be determined)

3.      Authors and publishers would be responsible for providing the ebook formatted files.

4.      The system would be Cloud-based and each ebook would always be available.

5.      The collection would have fee-structure like:

A.    Some authors would provide FREE access to their ebooks. (usually early titles)

B.     Other authors would provide their ebooks for a one-time fee for their ebooks with no limit to the life.

C.     Established authors would provide for a yearly fee their ebooks with a library opt-out option.

6.      Privacy Control: No collection of information like borrowing habits will be attempted.

7.      A Dust Cover Description will be provided for readers to search and select a title to borrow. This would also be furnished by the author/publisher.

8.      Access to buy page links will be included in the Dust Cover Summary.

9.      Provide an opportunity for readers to submit reviews and opinions for each title.

So What Does this Buy the Self-publisher and the eBook Author?


1.      Reader’s exposure to the author’s ebooks otherwise denied by publisher controls.

2.      Reader’s reviews and opinions that are so difficult to get by the independent author.

3.      Borrowing gives the reader a free trail of an author’s works rather than a small sample.

4.      A Dust Cover Description concept which would provide the reader with information to help make the decision on which title to borrow.

5.      Assist the ebook author with marketing and branding their style of writing.

A Champion needs to step up to the plate. I think it is a huge opportunity for an organization to provide the self-publisher and independent author a voice in the exploding ebook industry.

Ron Frisch, author of the Promised Valley Rebellion, summed up the thought on this. “Would it take much for a small group of people to set up a website performing the service you describe, to which every independent writer would soon flock? Could SPR or the Association of Independent Authors do it?”

What would happen if a consortium of ebook authors and self-publishers united, offered libraries FREE copies of their ebook for a limited number of copies so they could gain access and exposure to the vast library system?

With all the factors involved, the avid reader is going to be looking for ebooks they can read right now.

References and Good Reading on the Topic





Amazon will lend Kindlebooks for free, but authors will get paid from Book Making




Public Library eBooks on the AmazonKindle – We Got Screwed 

from Librarian by Day by Bobbi Newman

Libraries Got Screwed by Amazon andOverdrive

from Librarian in Black Sarah Houghton

View my website: HBSystems Publications
Specializing in the ebook experience

Or EMAIL at: jrm@hbspub.com
Or go to my blog: The eBook Author's Corner

LinkedIn Profile: James Moushon

Author: Call Off The Dogs, a rendered eBook




CIA Agent Jonathon Stone
discovers another shooter in
the Kennedy Assassination