One of the first questions a new indie author must ask is what audience will buy my book? The second question is how will I market to this audience? Both questions should be asked way before you get to the publishing stage of your book.
In the old days, there was a very standard set of rules and procedures. If you were fortunate enough to get picked up by a publisher, you got the finished product to the editors and off your book went into the market place.
On the other side, if you had to do the publishing yourself that added a lot of extra action points to get your book to the reader and getting your book into bookstores was a major component in determining whether your book was a success or not.
Well the whole process has turned upside down. Now the marketing targets are all different and the bookstore is no longer the primary focus in marketing your book. It is a turkey shoot, as they say.
Marketing using social media and the Internet are becoming the top choices for marketing for self-publishing authors.
The author must determine their audience, what they read and where to find them all online.
Knowing your audience will be the key in how you approach the marketing of your book.
Multiple Reader Audiences
The first thing you must realize is that there are multiple audiences to address and each will require a different approach. I view audiences in three distinct groups, all separated by experience with online media.
1. Mature (55+)
Most of this group is new to electronics. Ebook readers and tablets are all new to them. They are accustomed to paper reading. Some have adapted but still fall back to paper. They look for the Deal of the Day or a low priced ebook. Their first selection maybe by genre or an author they like. They have no real online community involvement. Reaching them will take a more direct approach.
2. Working/Family Group (30-55)
These are readers that are established adults. They grew up reading traditional books but they are more computer-savvy than the mature group. They have adapted to ebooks because of the time and convenience factor.
An online approach could work with this group but they will seek advice from more than online sources.
3. Mobile, on the Move Youth
They make quicker decisions. They can’t go anywhere and do anything without their cell phone or their iPad or some electronic device at the ready. They would rely almost entirely on online communications to make their buying decision.
They won’t read a book on their iPad but they may use the ebook for an information source. You see this in the resistance to accept e-textbooks. About 60% of this group does all their communication via cell phones exclusively.
In contrast, only 25% of the mature group use cell phones exclusively (No landline phone). (34% overall)
It’s like being in the right place at the right time to be successful. In this case, you need to be in the right genre and target the right audience.
Shooting at the wrong target
Let me share with you the experience I had with my first novel, Call Off the Dogs. This is a story about the JFK Assassination and now Jonathon Stone, my pragmatist, found another shooter from that day in Dallas and the adventure begins.
I was so anxious to get the book out the door, I didn’t do my homework.
Where did the book fit in? Was it a mystery, a detective story, a historical novel or what?
My primary audience was the mature group mentioned above. They lived through that period and all the conflicts and conspiracy theories. I choose to take a ebook only approach and targeted my audience online.
I made all the wrong moves to sell my ebook to my target audience. It probably didn’t help that Stephen King released his book, ‘11/22/63’ in the same week so all my pre-publishing marketing was written over.
Shooting at the right target
Let’s discuss some authors that know how to target their audience. First there is M.R. Mathias, a fantasy writer, who has been quite successful with his online approach to his target audience. He focuses his marketing at the younger audience through Twitter and Facebook. At last count, his twitter followers were in excess of 87,000.
His main asset is he writes quality books. Lots of them. Next he feeds them to his followers like Halloween candy and they buy it. Sounds like a plan to me.
Another example is Amanda Hocking and a group of young writers who are writing to the young adult genre and targeting them through social media. Amanda has over 17,000 followers on Twitter and her Facebook audience is huge. Just send them a tweet and she is off and running. It is like having a barrel full of 140 word bullets.
Let’s take a test to see if you’re following me
Let’s say you write a book about an old biker who wants to take one last trip across the country. The book would highlight his conflicts between the way he approached the trip when he was young and full of adventure. And then compare that to the current old man who has declined in health and aggressiveness going down memory lane.
So do you have a family saga going here? Or is my biggest target group all the bikers across the country? How do I target them? Oh yeah. Do you start tweeting the world about your biker book or do you try a more conventional approach and get involved in the biker community? I believe you are looking at the mature group not the mobile one.
My first move would be to get involved with the Harley-Davidson audience. We are talking over a million people in this group. I’d try to get into their stores, sell at their events across the country, get a book display in their museum and get an endorsement from their owner's group.
I’d let my beard grow, get me some nice looking leathers, buy a good looking Harley and hit the road.
Social networking and publishing an eBook exclusively would be my last choice in selling to this audience.
Are you off target?
Where is your audience and how do you get to them? Tweet to tweet or do you hit the pavement and do it the old fashion way?
You must answer right up front, who is going to buy your type of book and define the genre? And then concentrate on marketing to them where ever they are.
Some good sources
Jason Boog
If want to keep up with who the top indie authors are and what they are writing about a good source is Mediabistro – Galleycat by Jason Boog. @jasonboog
Amazon Self-Published Bestsellers for the Week of Monday, September 17, 2012 by Jason Boog
Judith Briles
The Book Shepherd blog is another good source written by Dr. Judith Briles
"Publishing is riddled with obstacles. Sometimes nightmares for the author. You don’t need problems … you want solutions." She will shepherd you through the maze and chaos.
She also manages AuthorU.org which is for authors who want to be seriously successful.
Dr. Briles can be found on Twitter: @mybookshepherd
M.R. Mathias
M.R. Mathias Fantasy Author is in the HBS Author’s Spotlight this month.
He can be found on Twitter: @ dahgmahn or at his website: http://www.mrmathias.com
Also Mr. Mathias has written a must read book for indie authors about social networking and marketing books. The First Ten Steps - Ten proven steps to build a solid foundation for your ebook using free social networking.
Follow Me on Twitter: @jimhbs
Or EMAIL at: mailto:jim@jamesmoushon.com
View my website: James Moushon – Mystery Writer
Take a look at my NEW blog: HBS Author’s Spotlight
Check out the Jonathon Stone Mystery Novel: Call Off The Dogs
Showing posts with label indie author. Show all posts
Showing posts with label indie author. Show all posts
Thursday, September 27, 2012
Thursday, August 30, 2012
eBook Marketing: Include Live Contact Information in Your eBook
One of the most important things you can do in this ebook
world is to provide your reader with your current contact information. I monitor
over 50 authors and ebook experts blogs on a regular basis and finding their
contact links is quite a challenge.
Surprisingly, I find the same problem in the current ebooks
that are being published. If they do include link information, rarely is it a
live link.
I feel the authors are missing a large marketing opportunity.
Here are some ideas you may want to consider.
Different Products
One of the things I have been harping on for the last several
years is that a traditional paper book is a different product then the ebook
version, especially the pre-content information.
In fact, this information should be different between your
retailers. Yes, you should have a different version of your ebook for each
vendor. Whether it is Amazon or Barnes and Noble or Smashwords, they should
have a different version of the ebook. Not the story or the major content but the
front end of the ebook.
In other words, the ebook should not be just a copy of the
paper version.
Contact Page
An easy way to keep in touch with your reader is to include a
Contact Page in the front of the ebook. You know, one the reader can use to
access your major contact points. The continuing communications with your
followers should be a major part of your marketing effort.
Here is an example of the one I have in my novel, “Call Off
The Dogs.”
Your Ebook can be
updated
Your ebook lives on the fast moving Internet. Internet
addresses and links included in ebooks will change and new communication points
will definitely come along. In fact with the long life of an ebook, it is a
reality. Wait a minute. Your ebook can be updated anytime you want. Just make
the change and re-publish.
In contrast, once the paper book hits the shelves, any link
to the Internet is cast in concrete. That’s not the case with your ebook.
Ask for a review,
twice
You might ask me the following question after looking at the
example above. I see a link to help my reader enter a review of my ebook. What
is that all about?
You should give your reader easy access to your buy page to
let them review your book. Just include it on your contact page.
Once the buy is done, most readers don’t go back to the buy
page. Add this link to the contact information in the front of your book. Give
them an easy way to write about your ebook.
To top it all off, ask them again for a review at the end of
your ebook.
In a lot of cases, authors are still not providing live
links to the outside world to help the readers keep in touch.
Don’t miss this marketing opportunity. Keep your contact
information up-to-date in all your ebooks. It is just an upload away.
What do you think about adding a Contact Page to the front
of your ebook? Will publishers buy into this concept? Have I missed anything
you would like to add to the Contact Page?
Follow Me on Twitter: @jimhbs
Or EMAIL at: jim@jamesmoushon.com
Or visit my blog: The eBook Author Corner
Check out my Jonathon Stone Mystery Novel: Call
Off The Dogs
NOTE: The examples in this blog are displayed as an image (to keep borders to resemble a book page) and do not have live link to accommodate the blogging software.
Wednesday, August 22, 2012
Indie Authors: Your Copyright Page Needs Work
One of the first things an indie author should realize is
that the printed version of their book does not have the same content as the ebook
version and the differences start right in the front of the book.
It starts with the Copyright Page.
The first area that jumps out is the copyright page should
be different. In fact, the copyright page should be different between the
various ebook versions, i.e. Amazon vs. Barnes and Noble vs. Smashwords, etc.
After reviewing a couple dozen recent ebooks from indie
authors, the first item that should be added to the copyright page is the paper
source of the ebook. Not having that information now doesn’t seem to be a major
problem. But ask me that question in three years when I still have that same
ebook on my e-reader and the hardcover book has a new edition. This could be a
major problem with non-fiction ebooks. Not so much with fiction.
Amazon has seen the need to add the source information in
their on-line product description to help. They have added a line: Page Number
Source ISBN. But the ebooks that I reviewed didn’t have a clue to the original
source document.
Here is where the train leaves the tracks. With the
missing source information, there was no indication where the book’s content
originated from or how we got to the digital format.
Certain information is required.
Somebody must have missed the memo about what information is
required and what format the information should be presented in because we had
a wide variety of formats and information, to say the least. Almost none of
them matched.
The copyright page should have the basics. They should have
the copyright notice, the Publisher and publishing information, a disclaimer, the
edition data, the Library of Congress information and the ISBN.
Although it is not required, some gave credit to the basic
book formatting and design people. Things like cover photograph, cover
image/art, interior design and edited by information.
The ebooks did have some direct information about the ebook.
One had ‘First Kindle Edition’. Another said ‘Epub edition © with a date and
eISBN 978- number’.
I don’t know if ‘eISBN’ is official but its meaning is
obvious. One ebook even had ‘Mobipocket reader format’ mentioned.
Only one of the ebooks had any information at all about the
source. (“Simon & Schuster hardcover edition June 2010”) Maybe it should
have included the ISBN of the paper version.
Adding more information to the ebook copyright page goes
along with the same concept we use for an accurate bibliography, footnotes and
appendix.
Here is My Wish List.
We are missing the boat with the copyright page. It’s like
seeing Original Source: Undisclosed on the copyright page. That
just doesn’t work. The ebook is a different product than the paper version. We
need to provide more information.
2. We need different copyright pages for each version of an ebook. We need a unique copyright page for the Kindle, Nook and Kobo, etc. Smashwords has its own copyright page format which is the same with each version (epub, mobi, txt, etc.) they sell. I don’t know whether that is good enough in the long run.
3. I would like to see a reference on the copyright page about the ebook conversion process used. Is this an ebook only version? Is the source document from the original book’s source file or was it a scanned /OCR version to a digital file. This will give the reader some idea of the accuracy of the conversion.
4. If you have web addresses and contact information on this page, the links should be live links. Make it easy for readers to form a relationship with you by taking advantage of the opportunity to get the information to them. Never pass up a chance to keep in touch with your reader base. Remember unlike the traditional book that is cast in stone, the eBook can be edited easily and republished if the upfront information changes.
Here are two examples that I found.
Kindle Version
Original Source:
How to Create Copyright Pages Right – by Jim Satire
Hardcover Edition March
2011 (ISBN: 978-9-9999-9999-8)Kindle Edition – 1.5.1 – Build 11/7/2011
Original Process: Direct from Digital Source File
Created by: Amazon DTP
Conversion Services by: HBSystems Publications
Rendered by: James Moushon
Nook Version
Original Source:
How to Create Copyright Pages Right – by Jim SatireHardcover Edition March 2011 (ISBN: 978-9-9999-9999-9)
Nook Edition – 1.6.1 – Build 11/23/2011
Original Process: Direct from Digital Source File
Created by: BN Pubit
Conversion Services by: HBSystems Publications
Rendered by: James Moushon
Traditional publishers and self-publishers are responsible
for this additional information. Sometimes publishers get caught up in trying
to get the ebook out the door at the lowest cost rather than doing their own
due-diligence. The Indie author does not have that luxury. You must stay out in
front of this information and marketing opportunity.
Your ebook can’t be just a copy of the hardcover. It all
starts with the copyright page and the definition of the sources of the ebook.
Right now it appears that this is missing information in most ebooks.
A Great Source of
Information on this is from Joel Friedlander
Joel is an expert in this area. He blogged ‘Self-Publishing
Basics: The Copyright Page’.
Use it as a starting point.
Are you including this information in your ebook? Does the Indie
publisher have the responsibility to provide this information to the reader?
View my website: James Moushon – Mystery Writer
Or EMAIL at: jim@jamesmoushon.com
Check out my Jonathon Stone Mystery Novel: Call
Off The Dogs
My next blog will discuss your ebook and the Contact Information
Page that should be added.
Thursday, June 2, 2011
eBook Authors: Render Thy eBook or Miss The Boat
I am a non-fiction and technical book reader at heart. Lately I have become addicted to ebooks. I like the ability to get the ebook anytime and anywhere and read it anytime I want. Recently a historical fiction hardcover book was passed to me. A book about Elizabeth 1 of England and the period in history called the Tudor dynasty.
Sometimes I like to read a good historical fiction novel and this turned out to be a good one. After I was about half way through the novel, the analytical part of me took over. This hardcover book was the ideal candidate for an ebook.
It was large and heavy. It was over 670 pages and weighed in at almost two and a half pounds.
I put down the book. I needed to see how this book appeared as an ebook. Online I went and seconds later the same book was on my Kindle. No expense spared for my blogs.
As a side note the Kindle version was $14.99. Ouch!
I started a comparison of the hardcover and the ebook. I wanted to find out what the publisher had done in the way of creating the ebook. They had made it digital okay. They did add a linked table of contents and they did put a link to their website. That was it.
The potential for so much more was there. What could they have done to make this a real ebook not just a copy of a hardcover book?
Rendering
Right up front they missed the opportunity when they listed the author’s credits. They listed several of the author’s books with no links to a buy page. I guess they wanted me to go to the Internet and search for the other books, if I was interested. There I had the purchasing device in my hands and they missed the opportunity.
Next there was no mention of a website for the author or even better a link to that site to get the reader hooked on the author’s books. Now mind you this was not an older book that the publisher was just getting around to digitizing. This was a brand new release. I went back to the hardcover and that information was missing there also. Finally they got it right on the dust cover. There it was. A web address for the author.
The cover was not included in the ebook, just a title page. I don’t understand that one.
There were many historical characters referenced whose names I recognized like Sir Walter Raleigh, Sir Francis Drake and Shakespeare. Some I had never heard of like Robert Dudley, one of the main characters in the story and in English history. This was a great opportunity to have some information in the appendix about him and many of the other fringe characters. Not done.
I am one of those readers that always is looking back in the book to try to keep up with the story. In-book links added in the rendering process can help the reader with this problem especially with a book of this size. Sorry no effort here.
How about a family tree of the Tudor dynasty? Or some background on the Spanish Armanda? Or some pictures of some of the characters? Wikipedia has some great pictures of Elizabeth and her followers. I can think of lots of things I could do to make this a real ebook.
This book is a great read but there is little or no effort made to make it a real good ebook. If you’re going to read this book while you are traveling, you definitely want the ebook version. It is not a book that you want to read on your cell phone or blackberry. So why not go further than just a copy?
By the way for you ebook reading buffs, I am 54% done with the hardcover version. eBook Authors, you are taking notes aren’t you?
Good Examples of Rendering
First I would like to highlight a good example of how an author can use the power of in-book links during the rendering process. Bloody Omaha by biographer Garry M. Graves is a rendered ebook. His ebook had 39 pictures and illustrations in which he needed to give credit to the sources. Instead of interrupting the reading process, he linked the picture’s titles to a credit note in the appendix of the ebook. If the reader wanted to know the source of the picture, the information was just a click away.
Another example is my novel, Call Off the Dogs, a story about the Assassination of President Kennedy. This is a rendered ebook with in-book links to various terms, location descriptions and color pictures to assist the reader in enjoying and understanding the content. That additional information is also held in the appendix of the ebook so it doesn’t interrupt the reading flow.
Another example of rendering to improve the ebook experience is the use of links in Travel Guide ebooks. So many times the ebook Guides don’t have quality links to important information. Again most of the Guides I have read are just copies of the hardcover version.
Missing the Boat
I think we are missing the boat here. Not only traditional publishers but self-publishers are falling into the same trap. Let’s get the printed version out there and follow up with a copy in an ebook format. No wonder the indie authors/publishers are getting a bad rap. And the traditional publishers must feel like that with little or no effort they can add to their bottom line.
We need to do something here. What are your ideas? Do you think new ebook author can take advantage of the ebook technology? Is a copy of the original hardcover version good enough?
Related blogs:
View my website: HBSystems Publications
Or EMAIL at: jrm@hbspub.com
Or goto my blog: The eBook Author Corner
Author: Call Off The Dogs, a rendered ebook
LinkedIn Profile: James Moushon
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