Showing posts with label ebooks. Show all posts
Showing posts with label ebooks. Show all posts

Tuesday, March 30, 2021

Authors: Is the Future of eBooks Unlimited? – A study



Picture this. A reader is curled up on her couch with a Kindle in her lap, reading and swiping a mystery novel. She had found this author a month ago and already had read three of his books. She used Kindle Unlimited to receive the eBooks online.

Where is Unlimited headed. Well, let us look at the environment we’re in.

The book industry is moving more and more toward eBooks. They are easy to quickly obtain and read. The reader can just find an eBook and buy it or read it for free. The trick is to have the readers find your books.

Millions of books and readers and lots of money available from Amazon. And the good thing is your book will be there forever.

You just have to get the reader to check your book out. Of course, the more books you have on-line the better opportunity you have for sales. And if the books are linked together like a series, the potential for more reads is greater.

The question is: What has been your experience with Kindle Unlimited?

It is time to do a study of Kindle Unlimited and the program’s impact on authors. Over twenty outstanding contributions to the study.

  1. What has been your experience with Kindle Unlimited?

2. Are you involved with a group that promotes Kindle Unlimited?

3. Has making your eBooks available on Kindle Unlimited been worth the time/effort?

In my last study, Group Hug, several top authors acknowledged that sometimes they received more revenue from Kindle Unlimited than from the sale of their books. 

The Starting Gate

The following is a summary of their experiences with Kindle Unlimited.

Dianne Harman

Dianne is an Award-Winning Bestselling Mystery, Suspense and Romance author.
Website - Twitter: @DianneDHarman - Facebook - Goodreads

About 65% of my royalties are from Kindle Unlimited, so I'm a huge fan. I have never had a problem putting them on there. It's quite easy. As to why I went there? I tried wide for about a year when I started but got nowhere. I switched to Kindle Unlimited and my royalties started going  

Mimi Barbour

Mimi is a NYT & USA Today, best-selling, and award-winning author. She writes Romance, Paranormal, and Suspense novels.
Website - Twitter: @MimiBarbour - Facebook - Goodreads

All along, I’d been submitting my books to multi-author box collections, and when I was invited to join one where the books would be strictly for Select [Kindle Unlimited] so we would earn pages-read as well as sales, it went over incredibly well. I decided the ladies at the Billboard needed to have the same experience, and so we started with the first box collection put together in the group called Unforgettable Romances. What a rush! It still sells well to this day. That began a landslide of collections in every genre.

Between us, I often make more on my page-read amount than I do on my sales.

Experience

What was their experiences with Kindle Unlimited.

Cheryl Bradshaw

Cheryl is the New York Times & ten time USA Today bestselling mystery, thriller, and suspense author.
Website - Twitter: @cherylbradshaw - Facebook - Goodreads

I write primarily in mystery/thriller and find the KU program to be very competitive in those genres. KU works for me in subgenre categories where visibility isn't as hard to come by. My ghost mystery series is a perfect example of that. It's a smaller demographic, but that series does a lot better in KU because the competition isn't as fierce. If you're looking to break out in KU, consider publishing in a niche genre where you can attract a demographic of readers who struggle to find enough new books to read in those smaller categories.

Denise Devine

Denise is a USA Today bestselling author of contemporary sweet romance, historical and cozy mystery.
Website - Twitter: @denisedevine5 - Facebook - Goodreads

Being part of a multi-author series in KU has been a positive experience for me. Often when someone reads my series book, it leads them to read other books of mine as well.

Bonnie Edwards

Bonnie writes Romance, Contemporary and Paranormal novels and novellas.
Website - Twitter: @BonnieEdwards - Facebook - Goodreads

For years, I kept my books "wide", which is a term for making eBooks widely available on lots of platforms.

I moved most of my books to Kindle Unlimited about 3 years ago because I wasn't marketing my books well enough to make a profit. I had to do something different. My experiment with KU paid off and I've been happy with my decision to focus on only one retailer. My income more than trebled very quickly...but please realize I was a terrible marketer and I take full responsibility for my lack. Moving into KU made marketing easier for this lazy writer.

Dani Haviland

Dani is a USA Today best-selling romance author. She writes the timetravel series, The Fairies Saga.
Website - Twitter: @dani_haviland - Facebook - Goodreads

I publish both solo titles under my own name and box sets for The Authors' Billboard. The KU revenue is much more for the sets (roughly 85%) than my single titles. Weird.

Marla Madison

Marla is the bestselling author of the Detective Kendall Halsrud series and the TJ Peacock & Lisa Rayburn Mysteries.
Twitter: @MarlaAMadison - Facebook - Goodreads

I love KU! I do make more money on my pages-read than on book sales, so I only use KU.

S.R. Mallery

Sarah is the award-winning author who writes Historical Fiction, Women's Fiction, and Mysteries.
Website - Twitter: @SarahMallery1 - Facebook - Goodreads

Having started out with my eBooks being on Amazon, B&N, Kobo, etc., after a couple of years, I realized that by far, the vast majority of my book sales were coming from Amazon. That led me to temporarily pausing those eBooks on B&N and signing up for Kindle Unlimited on Amazon. That was the best decision I ever made! Now, with all of my books in KU, I find that no matter how many books I sell per day, or, if every once in a while, I don’t even sell that day, I always have pages read, which continues to bring money in.

Amy Metz

Amy is an Author of Mystery & Thrillers as well as a blogger and book editor. She writes the Goose Pimple Junction mystery series.
Website - Twitter: @authoramymetz - Facebook - Goodreads

I've had a really good experience with Kindle Unlimited. Last year's numbers show I made more money on Kindle Unlimited than I did on eBooks or paperback. Making my books available on Kindle Unlimited has definitely been worth it, even though I've done very little to promote my books with it. I like Book Report, because it gives a breakdown of number of pages read through Kindle Unlimited. I can even see daily sales vs. Kindle Unlimited payments.

Stephanie Queen

Stephanie is a USA Today Bestselling Author who writes steamy sports romance novels.
Website - Twitter: @StephanieQueen - Facebook - Goodreads

Your request for information about KU experience is very timely! I haven't had my books in KU except for a few novellas as I wanted to be wide for philosophical reasons. And although with the help of numerous BookBub Features, I'd been able to get my percentage of non-Amazon revenue up to about 40%, I realized it would be very difficult for my romance books to be competitive on Amazon unless they were in KU. 90+ books of the top 100 in every romance category are in KU.

Joan Reeves

Joan is a NY Times & USAToday best-selling author of Contemporary Romance.
Website - Twitter: @JoanReeves - Facebook - Goodreads

My experience with Kindle Unlimited is probably like most authors. It's the biggest game in town and definitely can keep a book earning. However, like books not in KU, discoverability is a factor. The system is glutted by millions of books, and I happen to write in the most popular genre, Romance. Without placing ads, sending newsletters, and always promoting, it's difficult to get and keep traction in the marketplace. There are drawbacks to having all your books on KU too: (1) unable to give away free copies for reviewers (2) unable to satisfy readers who like your work but who buy only from Barnes & Noble, Kobo, etc. I usually feel as if I'm missing sales at other platforms. (3) Readers who grab your "free" KU read but never read it because their Kindle is already filled with the max number of KU free reads (not to mention hundreds of box sets they received free or for 99¢). A reader may forget your book when another "new shiny" hits KU, and your book gets shuffled off unread to make room to grab the newest book.

Revenue

What is the bottom line here? What kind of money are we talking about?

Terry Ambrose

Terry is the author of the McKenna Mystery series and the Seaside Cove Bed & Breakfast Mystery series.
Website - Twitter: @terryawriterguy - Facebook - Goodreads

I’m one of those authors who typically receives more revenue from Kindle Unlimited that I do book sales. When I first started, I resisted the urge because I felt I should try to have the broadest audience possible. However, what I’ve discovered is that big names get big sales, the rest of us—unless we’re very lucky or extremely good marketers—wither and die. Kindle Unlimited levels the playing field to some degree. I’ve found the restrictions of the KU program are outweighed by the increased readership.


Mimi Barbour

Mimi is a NYT & USA Today, best-selling, and award-winning author. She writes Romance, Paranormal, and Suspense novels.
Website - Twitter: @MimiBarbour - Facebook - Goodreads

(Experience ) - A few years before Select first started, I had spent many hours setting my books wide on all the major sites and doing each singularly in order to reap as many benefits as I could. Not an easy chore for a Canadian because B&N wouldn't let us upload directly to their place and Apple insisted one needed a Mac to add books there.

But, I found my ways and persevered and was just beginning to benefit from all those places when Amazon came out with the Kindle Unlimited program. In a matter of months, my earnings dropped to half of what I had previously made, and I was floored. After all that work, I didn't want to delist everything and be exclusive to Amazon. But eventually, after getting the feedback from other authors, I did just that.

Now, other than some paperbacks and my two freebies (Retaliation and Partners), all my books are in Select. It took me a while to crawl back up to my earlier earnings but time, patience, and more books finally got me there. I have to admit that it's the pages-read income that has been the major contributor for that happening.

(Worth the time/effort)- Yes. Absolutely. As I said earlier, a lot of my income is from the pages-read portion of the Amazon royalties. You know what, it kind of tickles me because I used to wonder how many folks actually read my books after getting them on their Kindles. Now I know for sure that a lot do, and it makes all this work seem more worthwhile.


Barbara Ebel

Barbara is an award-winning bestselling author. She writes Medical Suspense and Thriller novels.
Website - Twitter: @BarbaraEbel - Facebook - Goodreads

KU has proven to be the cornerstone of my book avenue for exposure and sales. I believe the marketing of an author's books/backlist totally depends on the author's personal circumstances.


Bonnie Edwards

Bonnie writes Romance, Contemporary and Paranormal novels and novellas.
Website - Twitter: @BonnieEdwards - Facebook - Goodreads

I moved most of my books to Kindle Unlimited about 3 years ago because I wasn't marketing my books well enough to make a profit. I had to do something different. My experiment with KU paid off and I've been happy with my decision to focus on only one retailer. My income more than trebled very quickly...but please realize I was a terrible marketer and I take full responsibility for my lack. 

Katherine Logan

Katherine is an Award winning, best-selling author. She is the author of the Celtic Brooch Time-Travel Series.
Website - Twitter: @KathyLLogan - Facebook - Goodreads

I have always been in KDP. I make more money on Kindle Unlimited books than I do on a purchase. The Topaz Brooch - $6.99 for eBook x 70% = $4.89 The book has 1414 KDP pages @ .0044 (coverage per page) = $6.22 I don’t really have a quote, but for me it’s more profitable to stay in KDP.

Judith Lucci

Judith is a Best-Selling Mystery, Thriller & Suspense author.
Website - Twitter: @JudithLucci - Facebook - Goodreads

I’ve been working with Kindle Unlimited for the last six years and have found them to be a good avenue to market books. Currently, about half of my income comes through Kindle Unlimited. What I don’t like with this program it’s not knowing month-to-month what the global fund will pay. It seems to vary more now than it used to. I wish that would change and they would pay us the same rate each month. It would be nice to have a rate we could depend on.

S.R. Mallery

Sarah is the award-winning author who writes Historical Fiction, Women's Fiction, and Mysteries.
Website - Twitter: @SarahMallery1 - Facebook - Goodreads

YES, I love being on KU! And although I pretty much sell every day, if my book(s) is on sale, I often make more money through my KU pages read than I do from the eBook. 

Stephanie Queen

Stephanie is a USA Today Bestselling Author who writes Mystery and Romantic Comedy novels.
Website - Twitter: @StephanieQueen - Facebook - Goodreads

So I recently (9 days ago) launched my first book in KU, a new adult/college romance. And it was my best launch ever, with 18-25k page reads every day since launch day. KU daily earnings are 2-3 times book sales earnings, including other non-amazon retailers.

So my experience with KU has been short, but phenomenal and I am planning to launch and keep the entire series in KU, including 3 more books currently in pre-order so far.

Maggie Toussaint

Maggie is an Award-winning southern author. She is a Mystery and Romance writer.
Website - Twitter: @MaggieToussaint - Facebook - Goodreads

I have several books in KU, but many of my books are “wide” in that I use other vendors too. My KU experience has been interesting. I made more money from books in KU back before Amazon started giving people that had the most reads a higher cut of the profit. Still, the pages read income is very nice. I’ve found that KU readers are loyal and keep seeking out KU books and authors.

The Unlimited Approach

The challenge is the same as always. How do I get to the readers? And how do I get them to READ more of my eBooks? With READ the keyword.

Cozy Power! Collection - HBS Author's Spotlight Showcase 

One approach that I have blogged about is an Unlimited Cozy Mystery Collection. Twelve Cozy authors submitted one of their first-in-a-series novels to the collection. The objective was to get readers to read one of their eBooks in a series and to continue to read the rest of the series. Another objective was to have multiple authors displayed so the reader could get exposure to other Cozy authors.

The jury is out on the success of the collection but so far there are good reports. But it sure makes sense. Outstanding authors. The same genre. Free to read on Unlimited. Multiple author exposure.

Bonnie Edwards

Bonnie writes Romance, Contemporary and Paranormal novels and novellas.
Website - Twitter: @BonnieEdwards - Facebook - Goodreads

Our [Romance Gems group] main objective is exposure, support, and marketing. We have monthly themes and sometimes we offer free books or chances to win. We've done some box sets and have some others in the works. These are fun because now that we've created our setting, we'll revisit and write more stories in the same towns. There's nothing like having a whole team of us supporting and marketing at the same time.

Absolutely, moving the bulk of my eBooks to KU has been worth the effort. Marketing is streamlined and effective for me (the lazy marketer).

Marla Madison

Marla is the bestselling author of the Detective Kendall Halsrud series and the TJ Peacock & Lisa Rayburn Mysteries.
Twitter: @MarlaAMadison - Facebook - Goodreads

Definitely worth it. Less time and effort than going wide. I will say that it is absolutely necessary to have a book that people want to read. So many self-published authors make the mistake of having a boring first chapter. Also, it helps to get a Book Bub feature. And absolutely necessary to advertise on the best sites. (they aren’t cheap, but it pays off)

Joan Reeves

Joan is a NY Times & USAToday best-selling author of Contemporary Romance.
Website - Twitter: @JoanReeves - Facebook - Goodreads

The blog groups to which I belong, always promote our KU listings. However, I know many authors who try to keep some titles in wider distribution and do quite well. I've never liked having all my eggs in one basket so I'm trying to pull some from KU as the enrollment expires. It's tough because I have many of my books in box sets that are in KU, so I can't do much with them. This year, I'm releasing new books wide first in order to get NetGalley reviews, then at a later date, I'll probably put them in Kindle Unlimited.

Jinx Schwartz

Jinx is the Award-Winning Mystery Author of the Hetta Coffey series.
Website - Twitter: @jinxschwartz - Facebook - Goodreads

At one time I hired a guy to promote my books on to Kindle Unlimited readers and boy, did he. I was making good money on KU, more than sales, but he was a little on the pricey side and then things went wonky on his end and I felt I had to get out of that. How he knew where to find and engage KU readers I don't know, but he did. He reconfigured all of my key words in Amazon and ran frequent freebies.

Problems

There were some problems or reservations reported.

Peggy Jaeger

Peggy is an award-winning author. She writes Romance, Contemporary, and Mystery novels.
Website - Twitter: @peggy_jaeger - Facebook - Goodreads

[My perspective as a hybrid author] Even though I get hundreds of page-hits every month, I rarely make more than one dollar on the KU experience per month.

[Worth the time/effort?] No, it has not. I have since pulled my indie books because I have decided to go wide with distribution to reach a wider audience.

Judith Lucci

Judith is a Best-Selling Mystery, Thriller & Suspense author.
Website - Twitter: @JudithLucci - Facebook - Goodreads

Currently, all of my books are in KU, but I’m planning to move my standalone books and my new series wide. I know it’ll take quite a while to catch on, but I kind of like having my work spread out.

It’s hard to get recognized on Amazon now because there are so many books. Every time I send an email, run a special or post on Facebook I always say what are the book is available on KU.

Jake Needham

Jake is a best-selling Mystery & Thrillers Author. He writes the Jack Shepherd crime thrillers & The Inspector Samuel Tay Novels.
Website - Twitter: @jakeneedham - Facebook - Goodreads

My books have never performed well in KU. Over the last six months or so in particular, their KU performance has dropped to such a miserable level that I have withdrawn one of my two series from KU entirely.

Joan Reeves

Joan is a NY Times & USAToday best-selling author of Contemporary Romance.
Website - Twitter: @JoanReeves - Facebook - Goodreads

Making my ebooks available on Kindle Unlimited has been worth it in terms of financial reward in the short term, but one never knows whether Amazon will change their Terms of Service. They did that with Audible, reducing an author's royalty from 50% to 40%, and the authors had no recourse. One thing I don't understand is why Amazon does not pay a larger Page Read fee for the books in KU. I always think the per page read fee is too low. However, none of the other ebook sellers have any more than a small piece of the market. It's like that immutable law of marketing says: "It always pays to be the first with an idea." 

Maggie Toussaint

Maggie is an Award-winning southern author. She is a Mystery and Romance writer.
Website - Twitter: @MaggieToussaint - Facebook - Goodreads

My quote for KU: “Using KU is a two-edged sword. An author makes more money that way but in the process, you exclude and alienate readers who can’t access mobi files.” Maggie Toussaint, author of the Seafood Caper Mysteries.

When I recently brought out my reissues on KU for 90 days, one reader who didn’t use Amazon said she’d never read another one of my books because I’d excluded her. I would rather have reader satisfaction than a disgruntled reader. 

Conclusion

This study highlights the experiences of Kindle Unlimited from a group of outstanding authors. Many of them have had good experiences with Kindle Unlimited and increased revenue with pages read as the catalyst.

One approach the authors used. They formed a small group. They create a book set like Cozy Power. Their goal was to have readers read the first book in one of their series, all on Kindle Unlimited. And then continue to read the whole series.

All the authors in the study had lots of quality books on Unlimited. They were marketing their backlist. One of eBook’s advantages. There is no time stamp on reading an older book. A good read is a good read.

Marketing to the Kindle Unlimited audience directly is growing. Listings are starting to display the KU logo. The goal is to find readers and keep them coming back for more.

Author groups are starting to see the rewards. They are organizing by genre and themes and they are developing collections. Visibility and exposure are the goals.

There are some problems reported but many authors say that Unlimited is the way to go. Like always, if you put the time and effort into the future of eBooks, your reward could be Unlimited.

Friday, January 25, 2013

Indie eBook Marketing: When You Get to the Fork in the Road, You Must Take It.



So you just created your first book and you’re done with the editing. You have someone lined up to help you with the formatting and to help you upload the ebook to the online retailers.

You’re an indie author and you’re going to self-publish. The ebook will be available for anyone in the world to buy. Look out Patterson and Hocking. Your Romance novel is in a hot genre. It won’t be long until you’re helping find someone to play your lead character in Hollywood. It’s the author’s dream.

One of the first things you realize is that you’re not alone. There are hundreds of authors in your same position with that ‘must read love story’ and they are all fighting for the reader’s attention.

The next thing you realize, you didn’t start marketing soon enough and there is no one to hold your hand while you do it. You will find out quickly that trying to sell your novel is a full time job. 

Marketing

The first big decision: Do you go the social media route or do you hit the pavement?

Do you try to build a large social network or do you rely on the online retailers, word of mouth and a website to do the selling for you?

There are a lot of questions and the answers aren’t easy to come by. 

The Paper Route

If you are from the old school and you’re trying to adjust to online marketing, going Indie presents some problems. Your sales will rely directly on your marketing approach and you find out quickly it is going to be a long journey.

There are a dwindling number of book stores and there are no publishers helping you will drive. The covers and the blurbs are up to you or someone you engage to write them.
Your book may get great reviews but your challenge is to get someone to read them and then buy your book.

There is no shelf space limit to worry about. In fact, the problem is just the opposite. The shelf space is limitless and so is the number of authors, all trying to find a way to attract readers to their book.    

The Need for Speed - Online Marketing

You are how competing in the online world and the Internet Super Highway speeds up the whole process. Readers can buy your book 24/7, if they can find it.

This approach is what I call the Conventional Online Method. You self-publish your book and post it at an online retailer’s site. In turn, they provide the reader/prospective buyer with information, so they can make a buying decision. That may include reviews, star-ratings, book descriptions, your author profile and a bestseller tag, if you’re lucky.

This is, in itself, a passive approach to marketing. You need to use more of the Internet to make your presence felt and to sell your books.

There are many things you can do at this point to draw attention to yourself, as an author.

You can create an author’s blogs and have an Internet site with contact information. You can conduct giveaways and promotions or participate in book tours. You can provide your readers with free content and samples of your work.

There are a lot of things you can do online to promote your book.

The web is a vast arena for the Indie author. If you look hard enough you will find book trailers (live movie trailers), videos, pictures and other promotional material marketing books.

So you are all set up. Now how do you get readers to look at your book and buy it? 

Now the Fork - Enter Social Media

The questions that really stand out if I go down this road are:

How do I target my genre and the readers in my genre?
How do I jump start my marketing activity?
How do I engage readers and get them to take a look at my book?
Should I make that turn in the road and get in the fast lane?
Should I get involved in social media? I mean really involved.

When I am talking about social media, I am talking about Twitter and Facebook. They are the most popular communication methods with the most activity and the biggest audience.

What will you find if you go down that road?

1. When you take this fork in the road, you will really have to shift your direction.
2. You will need to develop friendships and relationship with readers and other writers.
3. You will also find out real quick that you need more time in the day to work your social media crowd and write and do all the other things that will get in your way.
4. You will find interaction with others is the key to developing an audience.
5. You will find that this is not a smooth road.
6. You will find crazy drivers and lots of traffic.
7. You will find if you’re use to writing your thoughts in an email, 140 characters are not enough to get your message across.
8. You will find once you start building your following that Twitter has a barricade of 2001 followers plus 10%  and that can be a problem.
9. You will find you need to keep working the system.

So do I go all in and take the turn to the left, down the fast lane or do I go the conventional route? 

How do I get in the fast lane and step on the gas?

With the ‘how do I’ part of this, I turned to two veterans of the social media trip.
 

M.R. Mathias

Author M.R. Mathias @DahgMahn (http://www.mrmathias.com) is an award-winning self-published Fantasy Writer. At the last count, he had over 88,000 followers on Twitter. He is a true student of the social media game.
His words of advice are:
1, Use social media to get the word out there.
2. Push followers but not too hard.
3. You must keep working it.
4. Be patient. It is a slow building process.

His book is a must read for new Indie authors: The First Ten Steps - To Take AFTER You Publish Your New eBook.
 

Claude Bouchard

Another veteran of social media is prolific Twitter host Claude Bouchard @ceebee308 (http://www.claudebouchardbooks.com). At the last count, Claude had over 300,000 followers.

He is a Canadian, Best-Selling Author who has chosen to use social media big time. He shares his theory with us on going all in with social media.

“It is simple logic…the more followers I have the more people would learn about my thrillers.”

 When asked if he could measure the impact of social media on his sales, he said,
“The honest and correct answer is, ‘I don’t have a clue.’ I do have people occasionally telling me they just bought one of my books but most don’t comment.”

He outlines his process of building a following on Twitter on his blog: How I Really Got a 1/4 Million Followers

Is it Worth Taking the Social Media Highway?

What are the benefits by using the social media highway? Here is what some awarding-winning authors had to say about the benefits they got from social media.
(Note: Author’s name links are to their personal profiles with a Q/A session and their book list.) 
 

Benefit: Connection

Joanna Penn @thecreativepenn
“I find social media brilliant for connecting with people, mainly my writing peers and people in the industry.
Here’s my breakdown of how social media can help sell books: Sell Books with Social Media.”
 

Benefit: Discovery

John Needham - @jakeneedham
“I get 20 or 30 communications from readers through it every day. Happily, not a small number of those communications are from readers who tell me they are happy to have just discovered my books through something that somebody said on Twitter.

Facebook is a completely different story for me. It's been absolutely useless as a communication tool. I hear from virtually no one on Facebook.”

Stacy Eaton - @StacySEaton
“I do … try to stay in touch with fans. I communicate with them when I can on Twitter and get on Facebook ... I like to work with other authors and help them by doing interviews and posting them on my blog …”
 

Benefit or NOT: Effective

Amy Metz - @goosepimpleisms
“I try to like, and share, and post something on Facebook, as well as tweet something on Twitter, every day, but I’m not sure how effective it is.”
 

Benefit or NOT: Avoid Overkill

Cheryl Bradshaw - @cherylbradshaw
“Social media is my primary focus. I use it to promote, but only when I have a new book out or if I am running an incentive, like a freebie.

The main importance for me is using it to connect with my fans and fellow authors. Many authors don’t understand why Twitter doesn’t work for them—and it’s because they are going about it all wrong. They use it to promote their books 24/7. It’s overkill.”
 

Benefit: Sales equals Followers

Katherine Logan - @KathyLLogan
“I’ve discovered that sales are directly related to the number of followers. As one goes up, so does the other. Most of my marketing efforts are Twitter related. I’ve made some incredible friends.”
 

Benefit: Spread the Word

Monica Mathis-Stowe - @MMathisStowe
“Social Networking is an excellent marketing tool. I use Facebook and Twitter … to help spread the word about my novel.”
 

Benefit: Foreign Authors

Maree Ward-Russell - @mibbymw
“Social media is all of my marketing plan. Living in New Zealand has its geographical limitations – especially when your target market is on the opposite side of the world. Twitter and Facebook have become vital for me to reach the masses, without them I would be lost.
You must be prepared to engage with your followers. A reciprocal relationship is the key.”

Anne Allen - @AnneAllen21
Anne is a UK author. She says, “You need a prominent profile before a book is published. I now know that having a writer’s blog is paramount.
I think I’ll just have to keep trying to raise my profile through blog features, book reviews etc.”
 

Benefit: Small Press Experience

R.P. Dahlke - @rpdahlke - @allmysteryenews
“I love hearing from my readers. When I was with a small press, no one could contact me directly. It seemed so silly. Now I have Facebook and Twitter and I've made wonderful new friends, as well as a whole new world of readers for my books.”
 

The Red Flag Review

Rebecca’s comment raised a red flag. Where their groups actually trying to stop authors and readers from communicating via social media? I needed to check this out so I did a quick review. I am sure there are other groups that do not follow this pattern but here is the review anyway.

I decided to check out a small press and see what was going on. I choice a popular small press with over 100 authors in their fold. I was looking for Twitter and Author blog/site activity.

Wow. I wasn’t ready for the results. I stopped after the first 20 authors. I found that 2 authors had Twitter accounts and 4 had their own Internet sites. Apparently everything was being handled by the small press. I realized this was not a big sample, so I had to go the extra mile. 

Top Indie Author Survey

I needed to check the big guys. You know the top Indie Authors as defined by online retailers.

The questions I had to survey were:
How are the very top authors marketing their books?
Are they using social media for their marketing or the conventional method?
Which fork in the road did they take?

The TOP author was driving in the HOV lane at a very high speed. He had in excess of 220k followers on Twitter and he had the 3 top places on the retailer’s best seller list. I think in his case, it’s the quality of the car he is driving rather than being in the correct lane on this one.

What about the rest of the authors? There were 58 more authors to research. My results were all downhill from my star Indie driver. Here is a quick summary of what I found.

Of the 59 Indie Authors, 9 DID NOT have a Twitter account (15%) and 6 DID NOT have an Author’s site or blog (10%).

After analyzing the author’s followers, my conclusion was that 40% of the authors did not use social media to market their books. They had taken the conventional online fork in the road and were letting other online vehicles sell their books.  (Note: The average number of followers was 3000.) 

So what does all this mean?

Here are the takeaways I got:

1. You need to keep working it to get anything out of social media if you’re going to take that route.
2. Social media will help you develop relationships with readers and other authors.
3. The results will be hard to measure.
4. It will be very time consuming to do it big time.

My personal question is: If I chose Twitter and Facebook to market by books, how do I target my genre (Mystery) and the readers in that genre?
What is your takeaway? Which direction will you take? 

Side note:

At the end of the day, Yogi Berra, the famous Yankee baseball player, had the best advice: When you get to the fork in the road, take it. (This quote is classified as a Yogi-isms and makes perfect sense in our Indie marketing effort.) 

Follow me:

Or EMAIL at: jim@jamesmoushon.com
Take a look at my Author’s blog: HBS Author’s Spotlight
Check out the Jonathon Stone Mystery Novels:
Or newly released

Thursday, August 30, 2012

eBook Marketing: Include Live Contact Information in Your eBook


One of the most important things you can do in this ebook world is to provide your reader with your current contact information. I monitor over 50 authors and ebook experts blogs on a regular basis and finding their contact links is quite a challenge.

Surprisingly, I find the same problem in the current ebooks that are being published. If they do include link information, rarely is it a live link.

I feel the authors are missing a large marketing opportunity. Here are some ideas you may want to consider.

Different Products


One of the things I have been harping on for the last several years is that a traditional paper book is a different product then the ebook version, especially the pre-content information.

In fact, this information should be different between your retailers. Yes, you should have a different version of your ebook for each vendor. Whether it is Amazon or Barnes and Noble or Smashwords, they should have a different version of the ebook. Not the story or the major content but the front end of the ebook.

In other words, the ebook should not be just a copy of the paper version.

Contact Page


An easy way to keep in touch with your reader is to include a Contact Page in the front of the ebook. You know, one the reader can use to access your major contact points. The continuing communications with your followers should be a major part of your marketing effort.

Here is an example of the one I have in my novel, “Call Off The Dogs.”


Your Ebook can be updated

Your ebook lives on the fast moving Internet. Internet addresses and links included in ebooks will change and new communication points will definitely come along. In fact with the long life of an ebook, it is a reality. Wait a minute. Your ebook can be updated anytime you want. Just make the change and re-publish.

In contrast, once the paper book hits the shelves, any link to the Internet is cast in concrete. That’s not the case with your ebook.

Ask for a review, twice

You might ask me the following question after looking at the example above. I see a link to help my reader enter a review of my ebook. What is that all about?

You should give your reader easy access to your buy page to let them review your book. Just include it on your contact page.

Once the buy is done, most readers don’t go back to the buy page. Add this link to the contact information in the front of your book. Give them an easy way to write about your ebook.

To top it all off, ask them again for a review at the end of your ebook.
In a lot of cases, authors are still not providing live links to the outside world to help the readers keep in touch.
Don’t miss this marketing opportunity. Keep your contact information up-to-date in all your ebooks. It is just an upload away.
What do you think about adding a Contact Page to the front of your ebook? Will publishers buy into this concept? Have I missed anything you would like to add to the Contact Page?
Or EMAIL at: jim@jamesmoushon.com
Or visit my blog: The eBook Author Corner
Check out my Jonathon Stone Mystery Novel: Call Off The Dogs







NOTE: The examples in this blog are displayed as an image (to keep borders to resemble a book page) and do not have live link to accommodate the blogging software.

Wednesday, August 22, 2012

Indie Authors: Your Copyright Page Needs Work


One of the first things an indie author should realize is that the printed version of their book does not have the same content as the ebook version and the differences start right in the front of the book.

 

It starts with the Copyright Page.


The first area that jumps out is the copyright page should be different. In fact, the copyright page should be different between the various ebook versions, i.e. Amazon vs. Barnes and Noble vs. Smashwords, etc.

After reviewing a couple dozen recent ebooks from indie authors, the first item that should be added to the copyright page is the paper source of the ebook. Not having that information now doesn’t seem to be a major problem. But ask me that question in three years when I still have that same ebook on my e-reader and the hardcover book has a new edition. This could be a major problem with non-fiction ebooks. Not so much with fiction.

Amazon has seen the need to add the source information in their on-line product description to help. They have added a line: Page Number Source ISBN. But the ebooks that I reviewed didn’t have a clue to the original source document.
Here is where the train leaves the tracks. With the missing source information, there was no indication where the book’s content originated from or how we got to the digital format.

Certain information is required.


Somebody must have missed the memo about what information is required and what format the information should be presented in because we had a wide variety of formats and information, to say the least. Almost none of them matched.

The copyright page should have the basics. They should have the copyright notice, the Publisher and publishing information, a disclaimer, the edition data, the Library of Congress information and the ISBN.

Although it is not required, some gave credit to the basic book formatting and design people. Things like cover photograph, cover image/art, interior design and edited by information.

The ebooks did have some direct information about the ebook. One had ‘First Kindle Edition’. Another said ‘Epub edition © with a date and eISBN 978- number’.

I don’t know if ‘eISBN’ is official but its meaning is obvious. One ebook even had ‘Mobipocket reader format’ mentioned.

Only one of the ebooks had any information at all about the source. (“Simon & Schuster hardcover edition June 2010”) Maybe it should have included the ISBN of the paper version.

Adding more information to the ebook copyright page goes along with the same concept we use for an accurate bibliography, footnotes and appendix.

Here is My Wish List.


We are missing the boat with the copyright page. It’s like seeing Original Source: Undisclosed on the copyright page. That just doesn’t work. The ebook is a different product than the paper version. We need to provide more information.

 1.      We need the ISBN number and the hardcover edition on the copyright page like Amazon is providing on their ebook Product Production page. Of course, they are including this to help sync the page numbers with the hard copy but it should have been required in an ebook by publishers before Amazon added the feature.

2.      We need different copyright pages for each version of an ebook. We need a unique copyright page for the Kindle, Nook and Kobo, etc. Smashwords has its own copyright page format which is the same with each version (epub, mobi, txt, etc.) they sell. I don’t know whether that is good enough in the long run.

3.      I would like to see a reference on the copyright page about the ebook conversion process used. Is this an ebook only version? Is the source document from the original book’s source file or was it a scanned /OCR version to a digital file. This will give the reader some idea of the accuracy of the conversion.

4.      If you have web addresses and contact information on this page, the links should be live links. Make it easy for readers to form a relationship with you by taking advantage of the opportunity to get the information to them. Never pass up a chance to keep in touch with your reader base. Remember unlike the traditional book that is cast in stone, the eBook can be edited easily and republished if the upfront information changes.

Here are two examples that I found.


Kindle Version

Original Source: How to Create Copyright Pages Right – by Jim Satire
Hardcover Edition March 2011 (ISBN: 978-9-9999-9999-8)
Kindle Edition – 1.5.1 – Build 11/7/2011
Original Process: Direct from Digital Source File
Created by: Amazon DTP
Conversion Services by: HBSystems Publications
Rendered by: James Moushon

Nook Version
Original Source: How to Create Copyright Pages Right – by Jim Satire
Hardcover Edition March 2011 (ISBN: 978-9-9999-9999-9)
Nook Edition – 1.6.1 – Build 11/23/2011
Original Process: Direct from Digital Source File
Created by: BN Pubit
Conversion Services by: HBSystems Publications
Rendered by: James Moushon

Traditional publishers and self-publishers are responsible for this additional information. Sometimes publishers get caught up in trying to get the ebook out the door at the lowest cost rather than doing their own due-diligence. The Indie author does not have that luxury. You must stay out in front of this information and marketing opportunity.

Your ebook can’t be just a copy of the hardcover. It all starts with the copyright page and the definition of the sources of the ebook. Right now it appears that this is missing information in most ebooks.
 
A Great Source of Information on this is from Joel Friedlander
Joel is an expert in this area. He blogged ‘Self-Publishing Basics: The Copyright Page’.
Use it as a starting point.
Are you including this information in your ebook? Does the Indie publisher have the responsibility to provide this information to the reader?
Or EMAIL at: jim@jamesmoushon.com
Check out my Jonathon Stone Mystery Novel: Call Off The Dogs
 

My next blog will discuss your ebook and the Contact Information Page that should be added.